Recently, I offered my celebrancy services to a local community art dedication. The ceremony was to mark the outdoor installation of a sculpture and commemorate the cooperative partnership that brought that art to life: the confluence of two organizations, one in the arts community and one in the fish restoration community, but both neighbors of our lovely Methow Valley in North Central Washington State.
The process that had taken us from a vision to a reality was complete, and a ceremony was in order. Everyone who had been involved in coordinating this project was in a jubilant mood! Both locals and curious vacationers gathered together. In all, about 30 people attended the dedication.
The June day was warm and bright. A cool breeze blew off the Twisp River, lightly rippling the ponds. The air was filled with the buzzing of bees and the rushing of water in the low falls between the ponds that provide nurturing habitat for endangered salmon.
As we stood in a clearing forming a circle around the new sculpture, we knew we were likewise surrounded by nesting birds, snakes, beaver, and young fawns; this is also their community. Come winter, the bears and coyotes and even cougars will call this habitat “home.” Painters, birdwatchers, elementary students, science professors, nature lovers, photographers, tourists, and everyday neighbors enjoy free access to and make use of this special space year round.
In describing to me their visions for the ceremony, both group’s directors had emphasized the importance of the positive impacts on the community of art and the local ponds that were built to help restore endangered fish runs. By placing art on paths around these ponds, the public is drawn both to the art and to the activity of care for endangered salmon. Within the environment of water, trees, river, and ponds enhanced by a rich flora and fauna across the site, the community, we hope, becomes invigorated by and reinvested in both art and nature.
In my opening remarks, I spoke about the power of art to create a “community of care” that we all, nature included, need in order to live healthy lives in healthy neighborhoods. The speakers, both groups’ directors and the artist, then filled us in on the process of bringing together this partnership and the process of creating a memorable work of art for the site.
The sculpture, titled Twisp, was created by Steve Love, a quiet man, uncomfortable speaking aloud and in front of people. He nevertheless shared his own vision of his work with us. And none of our country’s greatest orators ever uttered a more effective address. He told us of the method he uses to create art, often working in a “semi-conscious state” at first, so as to allow his pure creativity to control the work. Later, he returns to the work with a more critical eye to address structural, practical issues (how will a sculpture stand up? Can it withstand the elements?). Finally, he considers the subtext of the work, reaching deeply into it to better grasp its symbolic power and purpose.
In closing, I urged those present to see themselves as part of this community of care, an active group of neighbors whose investment in the ponds’ site and its art—and by extension the local community—makes them important partners of care and positive transformation.
Finally, my concluding blessing spoke of the timelessness of our gathering, the importance of bringing our children into this ethic of community care, and our need to be ever-mindful of our roles as neighbors of the world, part of an interconnected community of humanity and nature. Aware of art’s ability to inspire and nature’s ability to nurture us, we must reach out into our communities and actively support both.
ART DEDICATION: Twisp by Steve Love (sculpture)
June 28, 2014
Methow Salmon Recovery Foundation’s Twisp Ponds Site